This article appeared in the April 23 issue of the Spartan Daily.Andrea Frainier interviewed Steve Lopez on April 15 and participated in a college conference call with Joe Wright on April 7.When Steve Lopez first caught sight of Nathaniel Ayers playing a classical tune on a downtown street corner, he thought he had found the perfect human-interest story for his next column. Lopez had no way of knowing he was about to embark on a journey with a former Juilliard student whose bright future was derailed by mental illness.
Pounding the pavementLopez, who attended
SJSU from 1973 to 1975, credits his stint at the
Spartan Daily for igniting his passion for journalism.
"I got a great education at San Jose State," Lopez said, "and I'll never forget the influence of my teachers and advisers on the Spartan Daily."
Initially, Lopez wanted to be a sports writer, but after working as a general assignment news reporter for the Oakland Tribune, Lopez said he fell in love with news reporting. In 1982, he began his career as a columnist.
He eventually landed at
the Los Angeles Times, where he became famous for a series of columns about a street musician who lived on the streets of Los Angeles' Skid Row.
"On that particular day, I saw this guy playing the violin that was missing two strings," Lopez said. "He looked like he was homeless, and the music sounded pretty good."
That guy was Nathaniel Anthony Ayers, a homeless schizophrenic who once was a rising star at
Juilliard.
Lopez soon learned about the musician of Skid Row. How Ayers spends his days pushing "Little Walt Disney Concert Hall" - a shopping cart filled with soiled clothing, a sleeping bag and sticks used to scare away rats - from the slab of cement he sleeps on in Skid Row to a noisy tunnel where he serenades passers-by.
New York state of mindAyers, now 58, was diagnosed with paranoid schizophrenia at the age of 21. Growing up in Cleveland, he discovered his passion for music when he was introduced to the double bass, a bowed string instrument, in middle school.
It became apparent Ayers was a natural musician. Whether it was the double bass, cello, violin or trumpet, he latched on to any instrument he touched.
"I was always in awe of how well he can play," said Jennifer Ayers-Moore, Nathaniel's younger sister. "Once he started playing music, he became extremely serious about that."
Ayers attended Juilliard on a scholarship as a double bassist, but in 1972, his third year at the university, hallucinations and paranoia set in. Ayers left school and went home to Cleveland to live with his mother.
"My mom did everything," Ayers-Moore recalled. "She reached out to every service, every hospital, every doctor. She tried to talk to everybody she possibly could."
Ayers-Moore said her mother even resorted to shock treatment.
"I remember her sitting there looking at him and the doctor, being like, 'OK, this is going to be it. He's going to come back out the son I once had.' But that didn't help. When he came out, it seemed as though if his behavior was worse," Ayers-Moore said.
Ayers left Cleveland and traveled to Los Angeles in 2000 after his mother died.
"It was very hard," Ayers-Moore said. "The only thing I could do was pray and believe he was going to be OK. I have had the same cell number since they came out. I never changed it just in case he would call."
Striking a chordOver the course of 2005, Lopez wrote almost a dozen columns about Ayers, providing glimpses into the mind of a paranoid schizophrenic.
Ayers spoke to Lopez unhinged, uttering whatever popped into his mind. Juilliard. Yo-Yo Ma. The Cleveland Browns. Beethoven. Ayers always circled back to Beethoven.
Lopez chronicled his efforts to persuade Ayers to move off the streets and into a supportive housing community.
"I would ask myself when it wasn't going particularly well if it was worth me sacrificing so much time from my job and from my family," Lopez said.
But each time Lopez was tempted to abandon his efforts, Ayers seemed to make progress. He began to trust Lopez more and show gratitude for his help.
Ayers also inspired Lopez to reflect on his own life.
"He got me thinking about my career," Lopez said. "He got me thinking about the courage it took for him to get through this. He took me into a world I knew little about."
Lopez said he joked that Ayers would have done better hooking up with a journalist who possessed a better understanding of classical music. But Lopez had the insight to know how much a VIP tour of the Walt Disney Concert Hall would mean to Ayers.
"I wanted to meet Nathaniel," said Adam Crane, the
Los Angeles Philharmonic's director of public relations. "I didn't know if it would work out, but we decided a rehearsal would be the best situation for Nathaniel to come into, because it would be the first time he'd been in a concert hall for years."
Crane said he was amazed when Ayers immediately started talking about music.
"He talked about conductors and clearly knew what he was talking about," Crane said. "I jumped in the conversation with him, asking him all these questions. Steve was standing there, smiling."
A musician himself, Crane offered his cello to Ayers.
"Nathaniel came into my office and played my cello, and I turned to Steve at that moment and said, 'He really has it,'" Crane recalled. "After all those years of not being in (a musical) environment and just being on the streets, you don't know if he still has it, but he had it."
Lights, camera, action!"I just thought it was an inspirational human-interest story," Lopez said. "When I wrote the first one, I had no idea that it would be the beginning of a couple dozen columns and it would lead to a book and a movie."

A year into his friendship with Ayers, at the urging of his editor, Lopez began to write "The Soloist," a book explaining his emotional journey with Ayers and how he helped Lopez rediscover his passion for storytelling.
As Lopez started to pen his book, DreamWorks Pictures became interested in putting his story on screen. The film, starring Robert Downey, Jr. as Lopez and Jamie Foxx as Ayers, makes a few Hollywood embellishments - for one, Lopez is a single father.
"It was a little bit difficult to get used to at first - that I'm divorced in the movie," Lopez said. In actuality, Lopez is married and a father of three children.
The essence of the movie, though, is the friendship between Ayers and Lopez and putting a human face to mental illness.
"The movie is wonderful, because it's going to say a lot to the public - something that I have dreamed about saying for a very long time," Ayers-Moore said. "Now it has a national audience to say that mental illness may not be what you think."
Director Joe Wright ("Pride and Prejudice," "Atonement") said Ayers changed his view on schizophrenics.
"He has made a quite extraordinary commitment to music and has made music his life, and I find that very inspiring," he said.
Wright said both Lopez and Ayers were involved with the making of the film. While Lopez worked closely with screenwriter Susannah Grant ("Erin Brockovich"), Ayers offered a different kind of support.
"He was around while we were filming a fair amount," Wright said. "He would often be on the edge of set, playing music."
Looking toward the futureLeading up to the premiere of the film, Lopez has crisscrossed the country sharing the inspirational journey he has taken with Ayers.
"He's somebody who had me thinking about my role as a citizen of the world," Lopez said.
Last week, Lopez made the trek to Capitol Hill to speak with congressional aides about his friendship with Ayers, mental illness and supportive housing, which he said is a proven program that helps those who suffer from mental health problems.
"I felt honored to be invited by them to speak about my experience," Lopez said. "All of this I owe to Nathaniel."
Also inspired by her experiences with her brother, Ayers-Moore established the
Nathaniel Anthony Ayers Foundation in 2008. The organization focuses on helping gifted individuals who suffer from mental illness.
"In my mind and in my heart, it's been going ever since my brother was sick," she said. "I just thought it would be very foolish to let this opportunity pass by."
Through programs designed to keep the spotlight on mental health issues, the foundation hopes to encourage other mentally ill artists to share their gifts to the world.
"I know what music does for my brother," Ayers-Moore said. "Now, when I see him play, it's more of an emotional thing for me, because I know that when he's playing his instrument - he is in his element. He's where he wants to be, and that's where he has peace away from mental illness."
Mental Illness Help CentersWhen dealing with mentally ill homeless individuals who pass through SJSU's campus, Los Angeles Times columnist and SJSU alumnus
Steve Lopez urges students to show them compassion.
"I wouldn't encourage anybody to necessarily adopt someone," Lopez said. "Everybody has this confl ict of 'OK, do I give them a dollar or do I not?' I think giving someone a dollar doesn't help them. I think knowing where they can get more substantive help and passing it along to them is more useful."
And the answer isn't necessarily a shelter, Lopez explained. He advocates supportive housing, a community-based treatment that is cost effective and a proven way to help break the cycle of homelessness.
Here is a list of organizations in the San Jose area that cater to individuals with mental illness:
Alliance for Community Care
438 N. White Rd.
(408) 254-6828
Catholic Charities
2625 Zanker Rd. Suite 200
(408) 468-0100
Emergency Housing Consortium2011 Little Orchard St.
(408) 294-2100
InnVision Julian Street Inn Program546 Julian St.
(408) 271-0820
Mental Health Advocacy ProjectLaw Foundation of Silicon Valley
111 W. Saint John St., Suite 315
(408) 294-9730
Labels: Jamie Foxx, Joe Wright, journalism, Nathaniel Ayers, Robert Downey Jr, SJSU, Steve Lopez, the Los Angeles Times, the Soloist